Already in its 4th year, Cinemalaya has been a venue for young and aspiring filmmakers to freely showcase their cinematic works that boldly articulate and freely interpret the Filipino experience with fresh insight and artistic integrity. Well, it has always been "artistic integrity" over commercial success to the independent filmmaker, so expect that most films depict daring and sensitive subjects on sexuality, corruption, poverty, and other themes. It was my first time to attend the Cinemalaya, and I was amazed by how this festival drew such a huge and diverse crowd. I didn't expect that CCP would be full-packed and that tickets to a number of films would sell out several hours prior to screening. While we all had little idea about the films we were set to watch, we decided to watch Chris Martinez's "100" and Tara Illenberger's "Brutus." But sad to say, last screening tickets had been sold out, so my friends suggested that we watch the world premiere of Adolf Alix's "Imoral" and Ellen Ongkeko-Marfil's "Boses" instead. I'm not writing a film critique, but I say that these are out-of-the-ordinary selections. To yours truly, alternative cinema could either be a breather or a shocker. Although there are notable shocking elements in the films we watched, overall, taking part in the Cinemalaya is a great breather. It felt good to see people from various circuits converge at the CCP in support fora promising Filipino independent cinema. It is no question that the event has become a topic in most academic fora, so the organizers are bringing Cinemalaya to the UP Film Center with special screenings of full-lengths and shorts from July 28 to August 6. I'm looking forward to watching "Brutus" and "100" which are two of the big winners in this year's awards. Should you be interested to see any of this year's competing full-lenghts and shorts, check out the schedule and head over to the Diliman campus! CINEMALAYA 2008 AT THE UP FILM INSTITUTE Monday, July 28 5 pm BABY ANGELO by Joel Ruiz / Abi Aquino 7 pm CONCERTO by Paul Alexander Y. Morales
Tuesday, July 29 5 pm JAY by Francis Xavier E. Pacion 7 pm HULING PASADA by Paul P. Sta. Ana Wednesday, July 30 5 pm BRUTUS by Tara Illenberger 7 pm NAMETS by Emilio "Jay" Abello VI Thursday, July 31 5 pm 100 by Christopher D. Martinez 7 pm MY FAKE AMERICAN ACCENT by Onnah C. Valera/Ned Trespeces Monday, Aug 4 5 pm BOSES by Ellen Ongkeko-Marfil / Froi Medina 7 pm RANCHERO by Michael Cardoz Tuesday, Aug 5 5 pm SHORTS A 7 pm SHORTS B Wednesday, Aug 6 5 pm JURY PRIZE 7 pm BEST PICTURE Screenings will be held at the Cine Adarna, UP Diliman (Film Center). FULL-LENGTH:
100 by Chris Martinez is about a stern, uptight and exacting woman with a terminal illness who tries to accomplish a list of 100 things to do before she dies. Her tasks vary from the simple to the complicated, from the practical to the mundane, from the ordinary to the extraordinary. In the process, she accepts the truth that even if death is something personal, dying never is.
BABY ANGELO by Joel Ruiz and Abi Aquino centers on an investigation that ensues when an aborted fetus is found in the dumpster of a run-down apartment complex. The lives of the tenants—a reclusive old man with curious ramblings, a landlord with overzealous thirst for justice and a young couple whose past threatens to unravel their marriage—are suddenly exposed in the hunt for the perpetrator of the baby's death.
BOSES (VOICES) by Ellen Ongkeko-Marfil is the story of a musician, who regains back his humanity by giving violin lessons to a child of the slums. In turn, the child, through the instrument, is able to get back his voice from a muted, abused and desensitized existence. This is a story of a friendship founded on the sublime beauty of music.
BRUTUS by Tara Illenberger tells the tale of two Mangyan children, hired by illegal loggers to smuggle wood from the mountains of Mindoro, as they embark on a dangerous journey to deliver the goods to the lowlands. In the process, they discover a world run by the greed of men, a world governed by ideologies that bring about the armed conflict that plague the Mindoro highlands, the home of their own people.
CONCERTO by Paul Alexander Morales is about how, in the last part of World War II, a special piano concert is held in the forests of Davao. In these boondocks, a displaced Filipino family becomes acquainted with a group of Japanese officers, similarly camped nearby. Based on true stories from the director's family, Concerto celebrates a family whose reverence for life, expressed through their love of music and friendship, can survive even war, and shows how beauty and compassion can grow in even the harshest of situations.
HULING PASADA (FINAL STOP) by Paul Sta. Ana follows the creative process of Ruby, a prolific writer, abandoned wife and protective mother. She writes about Mario, a taxi driver and father figure to a street child. As she tries to resolve Mario's story, she seeks refuge in her own creative output and the line between reality and fiction is blurred. Mario's past becomes entangled with her own inevitable future.
JAY by Francis Xavier E. Pasion is the name of the two protagonists in the film, one is living, the other dead. The living Jay is producing a documentary of the dead Jay, a gay teacher who was brutally killed. As Jay recreates and examines the life of his subject, his own life is affected when he unravels his subject's hidden life and secret love.
MY FAKE AMERICAN ACCENT by Onnah Valera and Ned Trespeces is a slice-of-life workplace comedy following the lives of technical support call center agents in the span of six months. Speaking with a fake American accent is a prerequisite for the job. This ensemble comedy is an inside look into the maddening, sleep-deprived, caffeine-fuelled lives of those who ply their trade in the call center industry.
NAMETS by Emilio “Jay” Abello is a colorful celebration of food as well as love, and the love of food above all, which is central to being Negrosanon and being Filipino. It follows the flirtation between Jacko and Cassie, two Negrenses who grew up in Bacolod, and whose lives revolve around food. The film will be shot on location in Negros Occidental and will be primarily in Hiligaynon, the language spoken in that region.
RANCHERO by Michael Christian Cardoz is the story of convicts who serve a special role inside the jail - they prepare the meals everyday. But in a jail where some inmates see no reason to continue living, what is the role of food? Is the food's role to extend life or to prolong the pain of those who don't want to live?
SHORTS:
Cinemalaya 2008 Shorts Programme A
ANDONG by Rommel "Milo" Tolentino is a story about a six-year old boy's obsession, family dynamics, and the real value of a hard-fought twenty pesos.
ANG IBANG MGA PAMILYA (THE OTHER FAMILY) by Joel P. Ruiz is about a woman who overcomes the grief of losing her adopted son.
ANGAN-ANGAN (DREAMS) by Sheron R. Dayoc centers on a mute nine-year-old girl named Satra, whose determination to secure a good education reverberates clearly amid the strictness of her Yakan culture. The Yakan are one of the 13 Moro groups in the Philippines. They mainly reside in Basilan, Mindanao.
DIAMANTE SA LANGIT (DIAMOND IN THE SKY) by Vic Acedillo, Jr. is about two brothers' journey to compete in a kite flying contest. But getting there takes some time. In the end, they face something unexpected and discover something more precious than winning.
GOD ONLY KNOWS by Mark V. Reyes focuses on the disturbing and gut wrenching tale about the realities of life in the sprawling metropolis of Manila.
Cinemalaya 2008 Shorts Programme B
HULING BIKTIMA (THE LAST VICTIM) by Vitaliano A. Rave is a film noir style about a detective's last minutes.
MY PET by Anna G. Bigornia is a 7-minute animation about an 8-year-old girl and her relationship with her first pet, a chick, the subject of a class experiment.
PANGGARIS by Dexter B. Cayanes is about a prostitute whose life changed when her mute sibling learned to talk, uttering only the word "panggaris."
TRAILS OF WATER by Sheron R. Dayoc is an experimental film about a young boy's emotion as seen through his make-believe story.
TUTOS (COST) by L.A. Yamsuan tells about the dynamics and complexities of a single father-daughter relationship in a postmodern patriarchal Filipino society. |